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Music & The Arts

MARS HILL AUDIO Journal

Volume 94

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Guests on Volume 94: Maggie Jackson, on how multitasking exalts efficiency and promises the overcoming of bodily limitations as time is restructured and on the importance of attentiveness in sustaining personal and social order; Mark Bauerlein, on how technologies have rearranged the social lives of teens (and their expectations of education); Tim Clydesdale, on what the first year in college means for teens; Andy Crouch, on the physical basis of cultural life and how "culture making" is done; and Jeremy Begbie, on how music is a way of engaging with the order in Creation and on how writing and hearing music involves a recognition of likenesses in Creation and the exercise of "hyper-hearing."

MARS HILL AUDIO Journal

Volume 90

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Guests on Volume 90: J. Mark Bertrand, on how the language of "worldviews" can mean something richer than it often does; Michael P. Schutt, on how the day-to-day practice of Christian lawyers can reflect a Christian view of the nature of law; Michael Ward, on how C. S. Lewis's Chronicles of Narnia were shaped by medieval cosmological beliefs about the seven planets; Dana Gioia, on the disturbing trends in the reading (non)habits of Americans; Makoto Fujimura, on reading, painting, and attending to the world; Gregory Edward Reynolds, on lessons about reading from the study of media ecology; Catherine Prescott, on why portrait painters often depict their subjects with books in their hands; and Eugene Peterson, on the place of reading in the spiritual lives of Christians.

MARS HILL AUDIO Journal

Volume 88

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Guests on Volume 88: Michael J. Lewis, on Body Worlds, human nature and Western Art; Diana Pavlac Glyer, on the influence of the Inklings on each others’ writings; Steve Talbott, on how the aims of education are distracted by technology; Darryl Tippens, on why we sing; Everett Ferguson, on the place of music in the Early Church; Alexander Lingas, on the tradition of music in the Eastern churches; and Calvin Stapert, on the nature of meaning in music.

MARS HILL AUDIO Journal

Volume 83

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Guests on Volume 83: Barrett Fisher, on film noir and its revealing portrayal of human moral confusion; Dick Keyes, on contemporary cynicism, how it's destructive, and how it might be resisted; Richard Lints, on a distinctively theological approach to understanding human identity; Paul McHugh, on how the discipline of psychiatry needs to mature, and on "stories" as diagnostic tools; Paul Weston, on lessons from Lesslie Newbigin on interfaith dialogue and the attacks on Christianity from scientism; and Paul Walker, on how the forms of Renaissance choral music communicate rich theological concerns.

MARS HILL AUDIO Journal

Volume 80

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Guests on Volume 80: Stephen A. McKnight on The Religious Foundations of Francis Bacon's Thought; Tim Morris & Don Petcher on science, Christology, and why segregating nature from supernature doesn't do justice to either; Vigen Guroian on the mystical character of fragrance and on why working in his garden is an imitation of the Master Gardener; Paul Valliere on Orthodox theology's engagement with questions concerning law, politics, and human nature, and on the ideas of Vladimir Soloviev (1853-1900); Vigen Guroian on the importance of personality and community in the thought of Nicholas Berdyaev (1874-1948); and Calvin Stapert on the affirmation of Creation and intimations of transcendence in the music of Wolfgang Amadeus Mozart.

MARS HILL AUDIO Journal

Volume 77

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Guests on Volume 77: Eric Miller on the conserving radicalism and revolutionary traditionalism of Christopher Lasch; Lisa de Boer on the depiction of everyday humanity in northern European post-Renaissance painting; Peter J. Schakel on seeing The Chronicles of Narnia as fairy tales, not just Christian allegory; and Alan Jacobs on how The Chronicles of Narnia reveal much of C. S. Lewis's thinking on almost everything, and on how Lewis's imagination was prepared to write such books.

MARS HILL AUDIO Journal

Volume 76

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Guests on Volume 76: D. H. Williams on the Church's rootedness in its Tradition, why some Protestants remain suspicious, and on the excluding character of Christian conversion; Catherine Edwards Sanders on the spiritual hunger behind the rise of modern witchcraft; Ted Prescott on changing images of beauty and the human figure in 20th century art; Martin X. Moleski on the life, times, and remarkable insights of Michael Polanyi; Stephen Prickett on George MacDonald and the tasks of imagination; and Barrett Fisher on the relative artistic assets of film and literature.

MARS HILL AUDIO Journal

Volume 74

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Guests on Volume 74: Russell Moore, on the struggles at Baylor University, "soul competency," and the Baptist culture of autonomy; W. Bradford Wilcox, on the characteristics of "soft patriarchy" in evangelical families; Joseph E. Davis, on sexual abuse, how it is explained, and how a sense of identity is thereby formed; Barrett Fisher, on the remarkable achievement of film producer Ismail Merchant; Jeanne Murray Walker and Darryl Tippens, on overcoming the neglect of literature that highlights the spiritual dimension of human experience; and Paul Walker, on the life and music of English organist and composer Thomas Tallis, 1505-1585.

MARS HILL AUDIO Journal

Volume 71

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Guests on Volume 71: Peter Augustine Lawler, on Luther, Locke, liberty, and the American Founding Fathers; David Koyzis, on the modern denial of objective meaning and the exaltation of individual will; Roger Lundin, on the incarnational vision of Czeslaw Milosz, and on his poetry of exile and modern boundlessness; Craig Gay, on how the nature of money affects our sense of attributing value to things; Steven Rhoads, on Taking Sex Differences Seriously (and why it's hard to do so); and R. Larry Todd, on the life and music of Felix Mendelssohn.

MARS HILL AUDIO Journal

Volume 67

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Guests on Volume 67: Eric O. Jacobsen, on urban churches and taking the concrete realities of community seriously; Allan C. Carlson, on the family in American culture and in government policy; Terence L. Nichols, on a sacramental view of Creation as an alternative to naturalism; R. R. Reno, on spiritual lethargy and sloth and the need for a more heroic vision for spiritual possibility; David Bentley Hart, on a Christian understanding of beauty rooted in the reality of the divine gift that is Creation; and J. A. C. Redford & Scott Cairns, on the making of "The Martyrdom of Polycarp."

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