D. G. Hart

Guests on Volume 60: David Naugle, on the origins of the term "worldview," and the spiritual and religious significance of "worldview thinking" for Christians; D. G. Hart, on the distinctions between evangelicalism and confessional Protestantism; Dermot Quinn, on the historical wisdom of Christopher Dawson, and the skepticism of contemporary historians; Russell Hittinger, on how a right to privacy emerged and evolved in American constitutional law and on how a landmark federal court decision addressed physician-assisted suicide; Leon Kass, on why a commitment to life, liberty, and the pursuit of happiness is not enough to protect human dignity; and James Howard Kunstler, on how designing spaces that respect cars but not pedestrians has made so much of America unlovable if not unlivable.

Guests on Volume 46: E. Michael Jones, on how horror films combat the assumptions of the Enlightenment; D. G. Hart, on The University Gets Religion: Religious Studies in American Higher Education; Amy & Leon Kass, on training young people to imagine what love looks like; John Leax, on the challenges of wise "caretaking" in a fallen world; Richard Wilbur, on the ways in which words add "articulateness" to experience; Roger Lundin, on Richard Wilbur's commitment to the reality of creation; and Ted Libbey, on the intricate, theologically inspired structure of Bach's B Minor Mass.

Guests on Volume 1: D. G. Hart, on Oliver Stone's JFK and why film has trouble relating historical realities; Peter Kreeft, on Between Heaven and Hell, a post-death dialogue among John F. Kennedy, C. S. Lewis, and Aldous Huxley; Nigel Cameron, on the loss of the Hippocratic tradition in medicine; Ted Prescott, on the life and work of the late English painter Francis Bacon; Quentin Schultze, on Pat Robertson's plans to begin a 24-hour game show TV channel; James Davison Hunter, on Culture Wars: The Struggle to Define America; Gregory Wolfe, on Mark Helprin's novel, A Soldier of the Great War; Edward Mendelson, on how poet W. H. Auden responded to modern culture; and Ted Libbey, on soprano Kathleen Battle.