People

Thomas Hibbs

Thomas Hibbs is a professor of philosophy at Baylor University, and has taught at Thomas Aquinas College and Boston College. He is the author of Shows about Nothing: Nihilism in Popular Culture from The Exorcist to Seinfeld.

MARS HILL AUDIO Journal

Volume 106

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Guests on Volume 106: Adam Briggle, on how Leon Kass's leadership of the President's Council on Bioethics attempted to reframe public thinking about ethical matters; John C. MĂ©daille, on why economics should be concerned with ethical matters from the bottom up; Christopher Page, on how the presence of choral music in the Church shaped the rise of the West; Christian Smith, on why sociologists need a richer understanding of human nature and human personhood and should recognize "love" as an essential human attribute; Herman Daly, on why he and Wendell Berry are disturbed by the lack of attention paid by classical economics to the realities of the material world; and Thomas Hibbs, on the dark nihilism in the films of Woody Allen.

MARS HILL AUDIO Journal

Volume 102

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Guests on Volume 102: Daniel M. Bell, Jr., on recovering the view that the just war tradition is more about the shaping of character and virtue than a checklist for political leaders; Lew Daly, on how the discussion concerning faith-based initiatives raised larger issues about the identity of social groups in American society; Adam K. Webb, on whether the traditional personal and communal virtues in premodern village life must be abandoned for poverty to be alleviated; Stratford Caldecott, on how denying the reality of beauty is linked to a denial of the coherent meaning of Creation; James Matthew Wilson, on Jacques Maritain's pilgrimage to faith and his subsequent development of a rich philosophy of beauty; and Thomas Hibbs, on the similar projects of painters Georges Rouault (1871-1958) and Makoto Fujimura (b. 1960), and how they each resisted various confusions in modern art.

MARS HILL AUDIO Journal

Volume 89

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Guests on Volume 89: Thomas Hibbs, on the theme of the possibility of redemption in film noir and similar film genres; Barrett Fisher, on the films of screenwriter Charlie Kaufman; Fred Turner, on 1960s dreams of countercultural change and the rise of the Whole Earth Catalog; Dan Blazer, on why psychiatric disorders require attention to the story of patients’ lives; Christopher Lane, on the complex characteristics of anxiety and the tendency to treat the absence of ease with drugs; and Jerome C. Wakefield, on how psychiatry began ignoring causes of mental suffering and so defined sadness as a disease.

MARS HILL AUDIO Journal

Volume 44

Guests on Volume 44: James Davison Hunter, on the limits of the psychological view of character; Brian Robertson, on the changes in attitudes toward work and home; David Myers, on the disjunction of wealth and happiness, and crafting a "new American dream"; Robert Frank, on the escalation of luxury and how it can be slowed; Gayle Brandow Samuels, on trees, landscape, and cultural identity; Thomas Hine, on The Rise and Fall of the American Teenager; Thomas Hibbs, on Seinfeld, Hannibal Lecter, and nihilism in popular culture; and Robin Leaver, on how J. S. Bach used musical forms to impart theological truths.