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Abstract Art

MARS HILL AUDIO Journal

Volume 59

Guests on Volume 59: Ron Hansen, on how novelists discover the themes of their writing; Bernard Lewis, on the history of Islamic resentment toward the West; Alan Jacobs, on Michael Chabon's Summerland and Cornelia Funke's The Thief Lord; Adrienne Chaplin, on Art and Soul: Signposts for Christians in the Arts and on the place and responsibility of Christian artists in their communities; Todd Gitlin, on how the torrent of images and sounds overwhelms our lives; and Quentin Schultze, on practical disciplines to live well in the midst of intrusive communications technology.

MARS HILL AUDIO Journal

Volume 20

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Guests on Volume 20: Elizabeth Fox-Genovese, on the benefits of single-sex education, and the confusion of "elite" feminism; Robert D. Richardson, Jr., on why the work of Ralph Waldo Emerson continues to attract certain religious seekers; Roger Lundin, on Emerson's assertion of alternatives to Christianity, and how they have seeped under the American cultural skin; Wilfred McClay, on individualism and collectivism in American society; Andrew A. Tadie, on learning to love and learn from G. K. Chesterton; Robert Jenson, on why the life of the mind matters to the Church, and how it should take shape in the world; Ted Prescott, on why artists have been attracted to abstraction, and what viewers should look for in abstract art; and Ted Libbey, on Haydn's The Creation.

MARS HILL AUDIO Journal

Volume 19

Guests on Volume 19: Robert Goodman, on economic and moral effects of state-sponsored gambling; Ted Prescott, on modernist artists Brancusi and Mondrian, and why they were attracted to abstraction; Daniel Chirot, on how resentful nationalism and utopian ideologies combine to form Modern Tyrants; Edward Ericson, Jr., on books by and about Aleksandr Solzhenitsyn; Alan Jacobs, on the portrayal of morals and manners in films based on Jane Austen novels; Charles Sykes, on why schools have abandoned the life of the mind; Allan C. Carlson, on what's wrong with Hillary Rodham Clinton's It Takes a Village; and Thomas Connolly, on music and cosmic coherence.