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MARS HILL AUDIO Journal

Volume 83

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Guests on Volume 83: Barrett Fisher, on film noir and its revealing portrayal of human moral confusion; Dick Keyes, on contemporary cynicism, how it's destructive, and how it might be resisted; Richard Lints, on a distinctively theological approach to understanding human identity; Paul McHugh, on how the discipline of psychiatry needs to mature, and on "stories" as diagnostic tools; Paul Weston, on lessons from Lesslie Newbigin on interfaith dialogue and the attacks on Christianity from scientism; and Paul Walker, on how the forms of Renaissance choral music communicate rich theological concerns.

MARS HILL AUDIO Journal

Volume 74

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Guests on Volume 74: Russell Moore, on the struggles at Baylor University, "soul competency," and the Baptist culture of autonomy; W. Bradford Wilcox, on the characteristics of "soft patriarchy" in evangelical families; Joseph E. Davis, on sexual abuse, how it is explained, and how a sense of identity is thereby formed; Barrett Fisher, on the remarkable achievement of film producer Ismail Merchant; Jeanne Murray Walker and Darryl Tippens, on overcoming the neglect of literature that highlights the spiritual dimension of human experience; and Paul Walker, on the life and music of English organist and composer Thomas Tallis, 1505-1585.

MARS HILL AUDIO Journal

Volume 43

Guests on Volume 43: Jedediah Purdy, on the ironic mood and its effect on public life; Lendol Calder, on the cultural significance of consumer credit; John Nelson, on Soli Deo Gloria, commissioning sacred classical works; George Arasimowicz, on crafting a tone poem about the life of Peter; James Calvin Schaap, on writing and the challenge to piety; Frederick Buechner, on the ministry of memoirs and the importance of remembering; Kay Hymowitz, on mistaken ideas of adulthood and childhood; and Calvin Stapert, on My Only Comfort: Death, Deliverance, and Discipleship in the Music of Bach.

MARS HILL AUDIO Journal

Volume 25

Guests on Volume 25: Douglas Groothuis, on The Soul in Cyberspace; Harold Bloom, on the Gnostic view of creation and fall; Gilbert Meilaender, on the outlines of a distinctively Christian bioethics; Susan Bergman, on martyrs and the meaning of suffering; Paul Marshall, on international persecution of Christians; George Marsden, on The Outrageous Idea of Christian Scholarship; Barbara Dafoe Whitehead, on divorce as a democratic institution; and Leonard Payton, on The Pilgrim's Progress by Ralph Vaughn Williams.

MARS HILL AUDIO Journal

Volume 24

Guests on Volume 24: James Davison Hunter, on a survey about American political life conducted by the Post-Modernity Project; Robert H. Bork, on judicial complicity in the coarsening of America; Rochelle Gurstein, on how some advocates of unbridled free expression had second thoughts; Roger Shattuck, on how we've lost the ability to recognize the fact that some knowledge is bad for us; Michael Behe, on how complexity in cells suggests an intelligent designer; David Morgan, on the Paintings of Warner Sallman; and Ted Libbey, on Gabriel Fauré's Requiem.

MARS HILL AUDIO Journal

Volume 23

Guests on Volume 23: John Steadman Rice, on how the idea of codependency is based on tenets of "liberation psychotherapy"; E. D. Hirsch, Jr., on The Schools We Need and Why We Don't Have Them; Ted McAllister, on Revolt Against Modernity: Leo Strauss, Eric Voeglin, and the Search for a Postliberal Order; Judith Skelton Grant, on Robertson Davies: Man of Myth; Terry Teachout, on why music should not be propagandistic; John Boyle, on his Requiem for the Unborn; Leland Ryken, on what makes a classic and how we should read one; and Daniel Ritchie, on a Biblical view of language and literature.

MARS HILL AUDIO Journal

Volume 21

Guests on Volume 21: James Twitchell, on ways advertising shapes (and thins out) American culture; Lynne Cheney, on the politics of ideas in higher education; Peter Berkowitz, on how Friedrich Nietzsche was torn between certainty of the "death of God" and belief in the divinity of truth; Ron Hansen, on what makes good fiction; Frederica Mathewes-Green, on "The America We Seek," an important pro-life manifesto; Robert Higgs, on how professional sports have lost a sense of play; Terry Eastland, on why affirmative action is ending; and Ted Libbey, on Brahms's German Requiem.

MARS HILL AUDIO Journal

Volume 20

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Guests on Volume 20: Elizabeth Fox-Genovese, on the benefits of single-sex education, and the confusion of "elite" feminism; Robert D. Richardson, Jr., on why the work of Ralph Waldo Emerson continues to attract certain religious seekers; Roger Lundin, on Emerson's assertion of alternatives to Christianity, and how they have seeped under the American cultural skin; Wilfred McClay, on individualism and collectivism in American society; Andrew A. Tadie, on learning to love and learn from G. K. Chesterton; Robert Jenson, on why the life of the mind matters to the Church, and how it should take shape in the world; Ted Prescott, on why artists have been attracted to abstraction, and what viewers should look for in abstract art; and Ted Libbey, on Haydn's The Creation.

MARS HILL AUDIO Journal

Volume 18

Guests on Volume 18: Leigh Eric Schmidt, on how the marketplace has shaped American celebration of the holidays; John Patrick Diggins, on how pragmatism fails to offer a coherent way of understanding of the world; Joseph Frank, on moral themes in the fiction of Fyodor Dostoevsky; Thomas Howard, on the supernatural thrillers of Charles Williams; Ken Myers, on Marsalis on Music, a book and a video series on music appreciation; Deal Hudson, on the themes of family in the work of Sigrid Undset, author of Kristin Lavransdatter and The Master of Hestviken; George McKenna, on how President Lincoln might have fought abortion; and Ted Libbey, on master English composer Henry Purcell.

MARS HILL AUDIO Journal

Volume 17

Guests on Volume 17: Alan Jacobs, on the seafaring fiction of novelist Patrick O'Brian; Barry Sanders, on the deeper dynamics of literacy; Mark Slouka, on bizarre Gnostic temptations in cyberspace; Alan Ehrenhalt, on how valuing choice hurts community; Geoffrey T. Holtz, on twenty-somethings and the shape of family life; Mardi Keyes, on dubious assumptions about the nature of adolescence; W. Bradford Wilcox, on tradition and belief; Glenn Loury, on race and relationships; and John Hodges, on the influence of Russian Orthodoxy in the music of John Tavener.

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