Stabat Mater dolorosa

Related reading and listening

• Christian culture and the myth of the secular — Ken Myers draws on T. S. Eliot to argue that Western civilization has broken down, not into a multiplicity of cultures, but into a “post-culture.” (47 minutes)
• Rose without thorns — Ken Myers introduces various settings of “Ther is no rose of swych vertu,” a medieval carol that uses imagery of a rosebush to describe the Virgin Mary. (29 minutes)
• In tune with the muses of Zion — Ken Myers on the Christmas music of Michael Praetorius
• “Investigations of divine works” — Greg Wilbur explains how closely connected music is to the order of the cosmos and how it even reveals attributes of God. (56 minutes)
• Nun komm der Heiden Heiland — Ken Myers looks at the history of an Advent hymn written by St. Ambrose in the fourth century, adapted by Martin Luther in the sixteenth century, and transformed by J. S. Bach and many others in the years since. (21 minutes)
• A letter from Ken Myers — Ken Myers examines the cultural implications of the Incarnation and the deep-seated dualism of modernity that divorces spirituality from our material experience. (22 minutes)
• The experience of a “real presence” in sacred music — FROM VOL. 126 Jonathan Arnold explores why people of no religious commitment pay money to hear specifically sacred music. (22 minutes)
• How music blesses and teaches — FROM VOL. 64 Theologian and musician Jeremy Begbie explores what we learn about time, theology, and the structure of Creation from the experience of music. (28 minutes)
• The founding of a choral ensemble — FROM VOL. 119 Founder Peter Phillips recounts the history of his choral ensemble The Tallis Scholars. (23 minutes)
• A beautiful human geometry — Musicologist Leopold Brauneiss compares Arvo Pärt’s compositional technique with Jungian archetypes
• A bridge between yesterday and today — Composer Arvo Pärt describes how he came to appropriate the mysteries of polyphony
• From the heart of silence — Conductor Paul Hillier on the sources of Arvo Pärt’s distinctive musical expression
• Prayer and complexity in Arvo Pärt’s music — In honor of Estonian composer Arvo Pärt’s 90th birthday, Ken Myers talks with Peter Bouteneff, about the singular qualities of Pärt’s music. (19 minutes)
• How to illustrate music and mystery — FROM VOL. 164 Illustrator Joonas Sildre discusses his graphic biography of Estonian composer Arvo Pärt. (19 minutes)
• An ancient liturgical form — Calvin Stapert on the long history of recounting Christ’s sufferings musically
• The innocent Lamb’s suffering — Jaroslav Pelikan on the theology of Bach’s St. Matthew Passion
• The St. Matthew Passion: A Listener’s Guide — In this lecture, Paul Munson guides listeners into a deeper theological and musical appreciation of J. S. Bach’s St. Matthew Passion. (1 hour 48 minutes)
• Music that conveys spiritual truths — FROM VOL. 137 Musicologist Michael Marissen discusses the masterful way in which J. S. Bach uses musical idiom and quotation by way of theological counterpoint to the texts of his sacred vocal works. (13 minutes)
• Mars Hill Audio Journal, Volume 164 — FEATURED GUESTS: Dana Gioia, Brady Stiller, Robert Royal, Richard DeClue, Tiffany Schubert, and Joonas Sildre
• Gifts for a baby King — Ken Myers introduces listeners to various musical compositions created for Epiphany (January 6), the Church’s feast day celebrating the revelation of Christ to the world. (25 minutes)
• Music, silence, and the order of Creation — In this lecture, Ken Myers explains how it is that our participation in harmonic beauty in music is a kind of participation in the life of God, in Whom all order and beauty coheres and is sustained. (61 minutes)
• Angelic voices: saying or singing? — Pope Benedict XVI on the intrinsically musical character of angelic utterance
• “The angels sang, and the shepherds too” — Ken Myers introduces listeners to the Christmas musical compositions of French composer Marc-Antoine Charpentier (c.1645–1704). (19 minutes)
• Seven Messianic titles, seven attributes of Christ — Ken Myers introduces listeners to four composers who each have set all seven of the O Antiphons to music. (17 minutes)
• The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
• Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
• Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
• The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
• The relationship between prudence and reality  — In this lecture, Ken Myers explains how the virtue of prudence is fundamentally connected with a deep and anchored understanding of reality. (54 minutes)
• Constructing your Favorites List — Ken Myers describes the new ecosystem of Mars Hill Audio’s membership/partnership program and shares clips from five recent lectures released as Bonus Features. (26 minutes)
• Festivity and the goodness of Creation — Drawing on Josef Pieper’s ideas, Ken Myers explains why the spirit of festivity is the spirit of worship, and that “entertainment” is ultimately an artificial, contrived, and empty effort to achieve festivity. (25 minutes)
• Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
• In praise of a hierarchy of taste — In a lecture at a CiRCE Institute conference, Ken Myers presented a rebuttal to the notion that encouraging the aesthetic appreciation of “higher things” is elitist and undemocratic. (58 minutes)
• No neutral view of the cosmos — Ken Myers argues that Christians need to recover a “whole-earth discipleship” that enables them to think Christianly about all areas of life, including public life. (50 minutes)
• The formative power of hymns and hymnbooks — FROM VOL. 149 Christopher Phillips discusses the cultural and spiritual effects of hymns and the “thingness” of hymnals. (18 minutes)
• Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)
• Early 19th-century hymnody — FROM VOL. 151 Musicologist Peter Mercer-Taylor tells the story of how early 19th-century hymnody introduced many Americans to a repertoire of classical music. (27 minutes)
• Friendship and life together — In a lecture at Providence College, Ken Myers explores how the concept of friendship, which used to be central to political philosophy, was banished from considerations of public life as the state was exalted over society. (53 minutes)
• How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
• Developing a Christian aesthetic — In the inaugural lecture for the Eliot Society, titled “Faithful Imaginations in a Meaningful Creation,” Ken Myers addresses the question of the relationship between the arts and the Church. (59 minutes)
• The Life was the Light of men — In a lecture from 2018, Ken Myers contrasts the Enlightenment’s understanding of reason with the Christocentric conception of reason. (57 minutes)
• Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
• Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
• Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
• Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
• Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
• In dulci jubilo — Ken Myers introduces some of the music for the season composed by Michael Praetorius (1571–1621), best known for his settings of Es ist ein Ros entsprungen (“Lo how a rose e’er blooming”) and In dulci jubilo. (18 minutes)
• Earthly things in relation to heavenly realities — In this lecture, Ken Myers argues that the end of education is to train students to recognize what is really real. The things of this earth are only intelligible in light of heavenly realities. (59 minutes)
• Maximalist music — FROM VOL. 8Dominic Aquila explains how — unlike the minimalist composers John Cage and Philip Glass — Arvo Pärt uses purity and simplicity to point beyond the created world to the transcendent Creator. (6 minutes)
• Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)