The physical beauty of music

Related reading and listening

• The roots of J. S. Bach’s fruitfulness — Music historian Markus Rathey explains why and how J. S. Bach composed his choral works as he did. (54 minutes)
• Celebrating Christmas with Bach (through Epiphany) — Ken Myers offers a detailed introduction to J. S. Bach’s Christmas Oratorio, a work composed to be sung on six occasions from Dec. 25th to Jan. 6th
• Rose without thorns — Ken Myers introduces various settings of “Ther is no rose of swych vertu,” a medieval carol that uses imagery of a rosebush to describe the Virgin Mary. (29 minutes)
• Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio
• “Investigations of divine works” — Greg Wilbur explains how closely connected music is to the order of the cosmos and how it even reveals attributes of God. (56 minutes)
• Nun komm der Heiden Heiland — Ken Myers looks at the history of an Advent hymn written by St. Ambrose in the fourth century, adapted by Martin Luther in the sixteenth century, and transformed by J. S. Bach and many others in the years since. (21 minutes)
• The experience of a “real presence” in sacred music — FROM VOL. 126 Jonathan Arnold explores why people of no religious commitment pay money to hear specifically sacred music. (22 minutes)
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• The founding of a choral ensemble — FROM VOL. 119 Founder Peter Phillips recounts the history of his choral ensemble The Tallis Scholars. (23 minutes)
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• From the heart of silence — Conductor Paul Hillier on the sources of Arvo Pärt’s distinctive musical expression
• Prayer and complexity in Arvo Pärt’s music — In honor of Estonian composer Arvo Pärt’s 90th birthday, Ken Myers talks with Peter Bouteneff, about the singular qualities of Pärt’s music. (19 minutes)
• How to illustrate music and mystery — FROM VOL. 164 Illustrator Joonas Sildre discusses his graphic biography of Estonian composer Arvo Pärt. (19 minutes)
• An ancient liturgical form — Calvin Stapert on the long history of recounting Christ’s sufferings musically
• The St. Matthew Passion: A Listener’s Guide — In this lecture, Paul Munson guides listeners into a deeper theological and musical appreciation of J. S. Bach’s St. Matthew Passion. (1 hour 48 minutes)
• Music that conveys spiritual truths — FROM VOL. 137 Musicologist Michael Marissen discusses the masterful way in which J. S. Bach uses musical idiom and quotation by way of theological counterpoint to the texts of his sacred vocal works. (13 minutes)
• Mars Hill Audio Journal, Volume 164 — FEATURED GUESTS: Dana Gioia, Brady Stiller, Robert Royal, Richard DeClue, Tiffany Schubert, and Joonas Sildre
• Music, silence, and the order of Creation — In this lecture, Ken Myers explains how it is that our participation in harmonic beauty in music is a kind of participation in the life of God, in Whom all order and beauty coheres and is sustained. (61 minutes)
• Angelic voices: saying or singing? — Pope Benedict XVI on the intrinsically musical character of angelic utterance
• Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
• Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
• The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
• Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
• How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
• Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
• Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
• Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
• The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
• The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
• Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
• Maximalist music — FROM VOL. 8Dominic Aquila explains how — unlike the minimalist composers John Cage and Philip Glass — Arvo Pärt uses purity and simplicity to point beyond the created world to the transcendent Creator. (6 minutes)
• Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
• Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
• Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
• The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
• The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
• Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
• Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
• Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
• Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
• The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
• Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
• The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
• Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
• Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel’s Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel’s time. (19 minutes)
• St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn’s work in the context of his life and faith. (24 minutes)
• Music for Good Friday — A conversation with Markus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
• J. S. Bach’s St. John Passion — Divine glory and human suffering
• Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen