The Cross in artistic expression

Related reading and listening

• The contested idea of beauty in art — FROM VOL.58 Ted Prescott describes the turn that the role of art in the West took in the 19th century in response to the weight of the “canons” and philosophy of beauty developed during the 17th and 18th centuries. (23 minutes)
• A sampling of newly published lectures — Ken Myers introduces listeners to four recently released lectures, courtesy of our Partners. The lecturers are Jennifer Frey, Gary Saul Morson, N. T. Wright, and Andrew Kern. (27 minutes)
• A “cosmological omnibus” — George Grant recounts the fascinating history of Hernando Colón’s attempt in the 16th century to curate a universal library of the world’s knowledge. (41 minutes)
• Mars Hill Audio Journal, Volume 166 — FEATURED GUESTS: William Cavanaugh, Kent Burreson, Beth Hoeltke, Jeffrey Barbeau, Jason Baxter, John Betz, and Bruce Herman
• Art that witnesses, consoles, and strengthens — Artist Margaret Adams Parker explores the human need to lament and reveals how various “arts of lament” console, strengthen, bear witness to those who engage with them. (51 minutes)
• Films that lead to contemplation — FROM VOL. 162 David Paul Baird discusses some of the films on the Vatican’s list of recommended films. (25 minutes)
• Heaven and earth are full of His glory — Gerald R. McDermott examines the typological tradition of the Church, particularly through Jonathan Edwards’s thought, and he argues for a recovery of the Christian understanding of the universe as an “immense Trinitarian symbol.” (61 minutes)
• Mars Hill Audio Journal, Volume 165 — FEATURED GUESTS: Jeffrey Bilbro, Daniel McInerny, Joseph Minich, Carl Elliott, Nadya Williams, and Don W. King
• “The greatest works of art are endless” — Daniel McInerny argues that more robust reflection about how we attend to art enables us to discover deeper meaning in it and to experience greater sensory and intellectual joy. (16 minutes)
• From enthusiasm to discernment — Hans Urs von Balthasar on how the assumption that taste is entirely subjective is a function of immaturity
• Abstraction, immanence, & the cultural landscape — Artist, philosopher, and art historian discuss the tension between self-expression, transcendence, and the material world.
• Only religion can save the arts — Camille Paglia: “For the fine arts to revive, they must recover their spiritual center.”
• Art and whateverism — Jed Perl on why great art is triumphantly intolerant
• What we can know about God’s nature — Bruce McCormack outlines the history of the development of the doctrine of the Trinity. He shows how early Christians’ understanding of the nature of God moved from a focus on His oneness to a more full apprehension of His Triune nature. (66 minutes)
• Christian unity and civil society — Oliver O’Donovan introduces listeners to Dutch lay theologian Hugo Grotius, arguing that the questions he tackled relate to perennial concerns about the relationship between divine and human agency, and between civil and ecclesiastical authority. (Lecture 2 of 3; 57 minutes)
• Beauty, Spirit, & Embodiment: A Christian View of Art — Adrienne Chaplin explains why a Christian approach to art must involve various levels of inquiry and not be limited to discussions of worldview or meaning alone. (46 minutes)
• The troubled marriage of art and democracy — Historian David Smith explains the idealistic (and naïve) political motivations behind the establishing of the National Endowment for the Arts, founded in 1965. (52 minutes)
• An ancient liturgical form — Calvin Stapert on the long history of recounting Christ’s sufferings musically
• The innocent Lamb’s suffering — Jaroslav Pelikan on the theology of Bach’s St. Matthew Passion
• The St. Matthew Passion: A Listener’s Guide — In this lecture, Paul Munson guides listeners into a deeper theological and musical appreciation of J. S. Bach’s St. Matthew Passion. (1 hour 48 minutes)
• Seeing Creation Anew: The Life & Poetry of Gerard Manley Hopkins — Dana Gioia examines Gerard Manley Hopkins‘s poetic genius and dedication to Christ in spite of his personal trials and difficult cultural context. (55 minutes)
• From culture war to culture care — In this 2016 lecture, artist Makoto Fujimura asks what would it look like for Christians to be stewards of beauty and human flourishing in all areas of life and culture. (48 minutes)
• The theological significance of current events — FROM VOL. 65 George Marsden discusses how Jonathan Edwards (1703–1758) understood world history and the American experience. (14 minutes)
• Were Christian martyrs considered suicides? — FROM VOL. 36 Darrel Amundsen counters the modern myth that the early Church up until St. Augustine was accepting and even favorable of suicide. (12 minutes)
• Mars Hill Audio Journal, Volume 163 — FEATURED GUESTS: Andrew Youngblood, R. J. Snell, Nicholas Denysenko, Nigel Biggar, Robert McNamara, and David Cayley
• The powerful presence of the body — FROM VOL. 9 Painter Ed Knippers discusses how he attempts to capture the reality and mystery of the human body without reducing it to a wooden object or exalting it to the status of an idol. (7 minutes)
• The Body Worlds exhibit and Western art — FROM VOL. 88 Michael J. Lewis explores the effects of the Body Worlds exhibits on the moral imagination of the viewer, who encounters human cadavers in a mechanistic way erased of all moral context. (26 minutes)
• Human nature through the eyes of Lucian Freud — FROM VOL. 7 Art critic and sculptor Ted Prescott discusses the work of British realist painter Lucian Freud (notably, the grandson of Sigmund Freud). (8 minutes)
• Depicting the human form — FROM VOL. 6 Ted Prescott explains the history of portraying the nude human body in art and contrasts it with the way the naked human form is often used in advertising. (9 minutes)
• The abolition of the fine arts — In this lecture, R. V. Young examines why people are increasingly unable to discriminate between base and fine art, arguing why this issue is of particular concern to Christians. (41 minutes)
• In praise of a hierarchy of taste — In a lecture at a CiRCE Institute conference, Ken Myers presented a rebuttal to the notion that encouraging the aesthetic appreciation of “higher things” is elitist and undemocratic. (58 minutes)
• Cleansing sea breezes — Thomas C. Oden argues that rather than being conformed to contemporary ideological trends, we should be informed by 2000 years of the Church’s wisdom. And Darrell Amundsen corrects some false claims about the early Church’s views on suicide. (27 minutes)
• The early Church on asceticism and almsgiving — FROM VOL. 118Historian Peter Brown explains that in spite of having had access for centuries to the Church fathers’ numerous writings, only recently have we come to understand the social and material context within which they lived. (18 minutes)
• Developing a Christian aesthetic — In the inaugural lecture for the Eliot Society, titled “Faithful Imaginations in a Meaningful Creation,” Ken Myers addresses the question of the relationship between the arts and the Church. (59 minutes)
• The negation of transcendence — Michael Hanby argues that our current civilizational crisis can be understood as a “new totalitarianism” that negates or disallows every form of transcendence. (32 minutes)
• Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
• Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
• Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
• Mars Hill Audio Journal, Volume 161 — FEATURED GUESTS: Andrew Wilson, Kyle Edward Williams, Andrew James Spencer, Landon Loftin, Esther Lightcap Meek, Andrew Davison
• We feebly struggle, they in glory shine — Church historian Robert Wilken describes how the early Church’s witness about the nature of truth challenged the assumptions of the surrounding culture. (15 minutes)
• Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
• Introducing William Desmond — Steven Knepper offers a brief introduction to an important contemporary philosopher
• Welcoming one another — Christine Pohl describes the practice of hospitality in Church history and the particular challenges to hospitality we face in our era. (30 minutes)
• Volume 1 revisited — In August of 1992, Mars Hill Audio released the pilot edition of what became known as the MARS HILL Tapes. In celebration of this anniversary, we recycle three interviews heard in that distant era, with Ted Prescott, Edward Mendelson, and Peter Kreeft. (30 minutes)
• Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
• Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
• Renaissance music for Good Friday — In a special Feature for Good Friday, Ken Myers shares settings of passages from the Book of Lamentations and of the Tenebrae Responsories by Tomás Luis de Victoria. (18 minutes)
• The rise of the “spiritual opera” — Richard Viladesau on the invention of the Passion oratorio
• The Passion and compassion — Richard Viladesau on art, meditation, and the affections
• Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)