How to illustrate music and mystery

Related reading and listening

• Rose without thorns — Ken Myers introduces various settings of “Ther is no rose of swych vertu,” a medieval carol that uses imagery of a rosebush to describe the Virgin Mary. (29 minutes)
• “Investigations of divine works” — Greg Wilbur explains how closely connected music is to the order of the cosmos and how it even reveals attributes of God. (56 minutes)
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• Mars Hill Audio Journal, Volume 166 — FEATURED GUESTS: William Cavanaugh, Kent Burreson, Beth Hoeltke, Jeffrey Barbeau, Jason Baxter, John Betz, and Bruce Herman
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• Prayer and complexity in Arvo Pärt’s music — In honor of Estonian composer Arvo Pärt’s 90th birthday, Ken Myers talks with Peter Bouteneff, about the singular qualities of Pärt’s music. (19 minutes)
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• The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
• Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
• Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
• Good stewardship of language — Marilyn Chandler McEntyre discusses central themes from her 2009 book, Caring for Words in a Culture of Lies. ALSO: clips from 6 other programs about language. (36 minutes)
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• Mars Hill Audio Journal, Volume 162 — FEATURED GUESTS: Mark Noll, R. Jared Staudt, Paul Weston, William C. Hackett, Hans Boersma, and David Paul Baird
• Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
• How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
• The peril of positivism — Owen Barfield on a popular denial of the possibility of meaning
• Mars Hill Audio Journal, Volume 161 — FEATURED GUESTS: Andrew Wilson, Kyle Edward Williams, Andrew James Spencer, Landon Loftin, Esther Lightcap Meek, Andrew Davison
• Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
• Blest be the ties of language that bind us — Marion Montgomery on the precious gift of words
• In the image of an Imaginer — Dorothy L. Sayers on the inevitability of analogical language about God (and everything else)
• Melody, harmony, unity, and diversity — FROM VOL. 144Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
• A contemplative musical space — FROM VOL. 129Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)
• Maximalist music — FROM VOL. 8Dominic Aquila explains how — unlike the minimalist composers John Cage and Philip Glass — Arvo Pärt uses purity and simplicity to point beyond the created world to the transcendent Creator. (6 minutes)
• Engaging the sound of ancient wisdom — Monique Neal explains how learning an ancient language as a spoken, living one enriches one’s experience of reading original texts. (21 minutes)