Music, passion, and politics

Related reading and listening

• Rose without thorns — Ken Myers introduces various settings of “Ther is no rose of swych vertu,” a medieval carol that uses imagery of a rosebush to describe the Virgin Mary. (29 minutes)
• “Investigations of divine works” — Greg Wilbur explains how closely connected music is to the order of the cosmos and how it even reveals attributes of God. (56 minutes)
• The experience of a “real presence” in sacred music — FROM VOL. 126 Jonathan Arnold explores why people of no religious commitment pay money to hear specifically sacred music. (22 minutes)
• How music blesses and teaches — FROM VOL. 64 Theologian and musician Jeremy Begbie explores what we learn about time, theology, and the structure of Creation from the experience of music. (28 minutes)
• Politics and idolatry — FROM VOL. 109 Theologian William Cavanaugh explains how the modern state is a unique kind of political entity, inviting a new kind of idolatry. (26 minutes)
• The modern invention of “religion” — FROM VOL. 101 Theologian William Cavanaugh examines the emptiness of the myth of religious violence. (22 minutes)
• The founding of a choral ensemble — FROM VOL. 119 Founder Peter Phillips recounts the history of his choral ensemble The Tallis Scholars. (23 minutes)
• A beautiful human geometry — Musicologist Leopold Brauneiss compares Arvo Pärt’s compositional technique with Jungian archetypes
• A bridge between yesterday and today — Composer Arvo Pärt describes how he came to appropriate the mysteries of polyphony
• From the heart of silence — Conductor Paul Hillier on the sources of Arvo Pärt’s distinctive musical expression
• Prayer and complexity in Arvo Pärt’s music — In honor of Estonian composer Arvo Pärt’s 90th birthday, Ken Myers talks with Peter Bouteneff, about the singular qualities of Pärt’s music. (19 minutes)
• How to illustrate music and mystery — FROM VOL. 164 Illustrator Joonas Sildre discusses his graphic biography of Estonian composer Arvo Pärt. (19 minutes)
• “Earth-shaking” and “heart-breaking” beauty — FROM VOL. 151 Junius Johnson warns that the pursuit of beauty is both perilous and an experience that points to the desire for God. (25 minutes)
• Immediately yours — Todd Gitlin on the effect of media on our sense of time
• Mars Hill Audio Journal, Volume 164 — FEATURED GUESTS: Dana Gioia, Brady Stiller, Robert Royal, Richard DeClue, Tiffany Schubert, and Joonas Sildre
• Music, silence, and the order of Creation — In this lecture, Ken Myers explains how it is that our participation in harmonic beauty in music is a kind of participation in the life of God, in Whom all order and beauty coheres and is sustained. (61 minutes)
• Angelic voices: saying or singing? — Pope Benedict XVI on the intrinsically musical character of angelic utterance
• The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
• Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
• Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
• The Bully Pulpit: Presidential Rhetoric and True Leadership — Elvin Lim talks about the decline of the content of presidential rhetoric and its consequences to democracy. (49 minutes)
• The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
• The formation of affections — FROM VOL. 101 James K. A. Smith explains how education always involves the formation of affections and how the form of Christian education should imitate patterns of formation evident in historic Christian liturgy. (15 minutes)
• Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
• Prudence in politics — FROM VOL. 146 Henry T. Edmondson, III talks about Flannery O’Connor’s understanding of political life, which was influenced by a range of thinkers including Aristotle, Thomas Aquinas, Eric Voegelin, and Russell Kirk. (19 minutes)
• Ideas and historical consequences — Historian John Lukacs (1924–2019) discusses the relationship between institutions and character, popular sentiment versus public opinion, the distinction between patriotism and nationalism, and the very nature of studying history. (36 minutes)
• How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
• Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
• Maximalist music — FROM VOL. 8Dominic Aquila explains how — unlike the minimalist composers John Cage and Philip Glass — Arvo Pärt uses purity and simplicity to point beyond the created world to the transcendent Creator. (6 minutes)
• Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
• Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
• The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
• What makes our desires and action intelligible — David Bentley Hart on why we must believe that human beings are by nature inclined to the super-natural
• Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
• Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
• The tasks, conditions, and limits of democratic politics — Excerpts from three interviews with Jean Bethke Elshtain about her concern that democracy might not be able to survive widespread distrust or the dynamics of identity politics. (37 minutes)
• Pragmatism, Politics, and the Spirit of Tragedy — John Patrick Diggins discusses themes in two of his books: The Promise of Pragmatism: Modernism and the Crisis of Knowledge and Authority (1994) and Max Weber: Politics and the Spirit of Tragedy (1996). (27 minutes)
• Desire desires desire — Zygmunt Bauman on being a consumer in a consumer society
• The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
• Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
• Diagnosing our political conflicts — Michael Hanby explains why the modern pursuit of freedom — obeying its founding logic — has taken such a destructive turn. (36 minutes)
• Post-liberalism of an earlier generation — Allan C. Carlson discusses an anthology of articles from Free America, a magazine published between 1937 and 1947 whose writers believed that political democracy could only survive if coupled with decentralized economic democracy. (26 minutes)
• The problem of a degenerate electorate — Aquinas, Augustine, and Aristotle on good government, as summarized by Reginald Garrigou-Lagrange
• The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
• Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
• Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel’s Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel’s time. (19 minutes)
• John Lukacs, R.I.P. — Historian John Lukacs discusses the vocation of studying history and how it is more a way of knowing human experience than it is a science. (23 minutes)
• St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn’s work in the context of his life and faith. (24 minutes)
• Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
• Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning