PREVIEW
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Guests heard on Volume 166

William Cavanaugh, author of The Uses of Idolatry, on recognizing idolatry in our “misenchanted” age

Kent Burreson and Beth Hoeltke, authors of Lay Me in God’s Good Earth: A Christian Approach to Death and Burial, on a Christian view of death and funerals

Jeffrey Barbeau, author of The Last Romantic: C. S. Lewis, English Literature, and Modern Theology, on C. S. Lewis’s debt to the Romantics

Jason Baxter, translator of Dante’s Divine Comedy, on the poet’s linguistic, literary, aesthetic, and cosmological purposes in writing the great work

John Betz, author of Christ the Logos of Creation: An Essay in Anthropological Metaphysics, on Christ as the very pattern of Creation

Bruce Herman, author of Makers by Nature: Letters from a Master Painter on Faith, Hope, and Art, on the significance for artists of relationships, receptivity, and humility
Related reading and listening
- The true places aren’t on any map — Clyde Kilby on C. S. Lewis’s claim that the Gospel is the greatest myth
- Savoring the taste of Reality — C. S. Lewis on the transporting, illuminating capacity of Myth
- When myth becomes fact — In this 1976 interview, Clyde Kilby (1902–1986) discusses C. S. Lewis’s critique of scientism and rationalism, his belief in the primacy of the imagination, and his mythic vision. (37 minutes)
- A great Reality at the core of things — Clyde Kilby on the nature and need for myths
- “A Myth Retold” — Literary critic Thomas Howard explains why he considers C. S. Lewis’s Till We Have Faces to be one of the author’s richest and most rewarding works. (18 minutes)
- Christian culture and the myth of the secular — Ken Myers draws on T. S. Eliot to argue that Western civilization has broken down, not into a multiplicity of cultures, but into a “post-culture.” (47 minutes)
- The contested idea of beauty in art —
FROM VOL.58 Ted Prescott describes the turn that the role of art in the West took in the 19th century in response to the weight of the “canons” and philosophy of beauty developed during the 17th and 18th centuries. (23 minutes) - A sampling of newly published lectures — Ken Myers introduces listeners to four recently released lectures, courtesy of our Partners. The lecturers are Jennifer Frey, Gary Saul Morson, N. T. Wright, and Andrew Kern. (27 minutes)
- The inward eye, cosmic truth, and making well — Andrew Kern takes his listeners along an “interlinear” reading of a portion of St. Augustine’s Confessions that explores the differences between how God makes and how we create. (38 minutes)
- The cost of “killing” God — In this October 2023 lecture, Carl Trueman explores the concept of “desecration” as a frame for understanding the nature of modernity in our time. (42 minutes)
- “Investigations of divine works” — Greg Wilbur explains how closely connected music is to the order of the cosmos and how it even reveals attributes of God. (56 minutes)
- Silence at the end of history — Alan Jacobs examines several literary imaginings of “the last days” and argues that such narration is profoundly inadequate and perhaps even presumptuous. (51 minutes)
- Cultural superiority and Medieval romance literature —
FROM VOL. 164 Tiffany Schubert argues that Jane Austen’s novels subtly incorporate some medieval literary conventions in ways that enable modern readers to experience a sense of wonder, romance, and the benevolence of Providence. (30 minutes) - A letter from Ken Myers — Ken Myers examines the cultural implications of the Incarnation and the deep-seated dualism of modernity that divorces spirituality from our material experience. (22 minutes)
- “Subtraction stories” and a longing for transcendence — In this lecture, James K. A. Smith explores key elements of Charles Taylor’s understanding of what it means to live in a secular age. (43 minutes)
- Buying and selling holidays, identities, and ourselves — We present four interviews on American consumerism, with Leigh Eric Schmidt, David Lyon, Thomas Frank, and Sam Van Eman. (46 minutes)
- How music blesses and teaches —
FROM VOL. 64 Theologian and musician Jeremy Begbie explores what we learn about time, theology, and the structure of Creation from the experience of music. (28 minutes) - Theology and the imagination — Jeffrey Barbeau explains what made C. S. Lewis an effective “translator” of theology for non-theologians. (21 minutes)
- Creation, in harmony with the Logos — Rowan Williams on the Logos and the diverse logoi that mirror it
- The pathos of sin —
FROM VOL. 15 Poet Robert Pinsky discusses his translation of Dante’s Inferno. (9 minutes) - Existential preparation for reading literature —
FROM VOL. 128 Rod Dreher recounts how he thought he was reading Dante’s Commedia, when in reality the poem was reading him. (18 minutes) - An icon of the whole world — Jason Baxter explains how Dante includes a panoply of characters and creatures in his Comedia, offering a prismatic view of all of Creation in its glory. (20 minutes)
- Art that witnesses, consoles, and strengthens — Artist Margaret Adams Parker explores the human need to lament and reveals how various “arts of lament” console, strengthen, bear witness to those who engage with them. (51 minutes)
- The soul’s awakening —
FROM VOL. 145 Jason Baxter discusses the great psychological subtlety in Dante’s Divine Comedy. (20 minutes) - How literature shaped Lewis —
FROM VOL. 155 Jason Baxter explains how reading medieval literature enabled C. S. Lewis to become a “naturalized citizen of the Middle Ages.” (25 minutes) - Rehearsing the Christian story —
FROM VOL. 101 Thomas Long describes how funeral practices have the capacity to convey an understanding of the meaning of discipleship and death. (16 minutes) - Ethics hidden in economics —
FROM VOL. 134 William Cavanaugh explains why Christians should think about economics theologically, not just as a science or an ethical discipline. (25 minutes) - Politics and idolatry —
FROM VOL. 109 Theologian William Cavanaugh explains how the modern state is a unique kind of political entity, inviting a new kind of idolatry. (26 minutes) - The modern invention of “religion” —
FROM VOL. 101 Theologian William Cavanaugh examines the emptiness of the myth of religious violence. (22 minutes) - Films that lead to contemplation —
FROM VOL. 162 David Paul Baird discusses some of the films on the Vatican’s list of recommended films. (25 minutes) - Cosmic realities in the built world — Christopher and Christine Perrin discuss the implications of architect Christopher Alexander’s (1936–2022) discovery of patterns of building that cohere with the the created cosmos and with ourselves as human creatures. (59 minutes)
- The “book” of Creation — Alan Noble explains why the modern world makes it profoundly difficult to experience Creation as revelation, and he encourages unmediated encounters with Creation that lead to meditation. (52 minutes)
- Life more abundantly — Jeanne Schindler advocates for a return to an understanding and prioritizing of sensory experience — real engagement with the real world — as foundational to learning and living. (35 minutes)
- The Heav’ns and All the Powers Therein — In this extended interview, Michael Ward makes a compelling case that the qualities attributed to the seven planets in the cosmology of antiquity and the Middle Ages are embodied in C. S. Lewis’s seven books about Narnia. (68 minutes)
- Heaven and earth are full of His glory — Gerald R. McDermott examines the typological tradition of the Church, particularly through Jonathan Edwards’s thought, and he argues for a recovery of the Christian understanding of the universe as an “immense Trinitarian symbol.” (61 minutes)
- An invitation to a feast — Christina Bieber Lake explains how poetry is an invitation to experience the beauty and goodness of Creation as gift. (44 minutes)
- Stewarding God’s creation —
FROM VOL. 116 Fred Bahnson talks about how a Christian understanding of God’s redemptive work on the earth should influence our practices of growing and sharing food. (19 minutes) - How to illustrate music and mystery —
FROM VOL. 164 Illustrator Joonas Sildre discusses his graphic biography of Estonian composer Arvo Pärt. (19 minutes) - Money, status, and satisfaction —
FROM VOL. 44 David Myers and Robert Frank discuss the tenuous relationship between wealth and happiness. (22 minutes) - “Earth-shaking” and “heart-breaking” beauty —
FROM VOL. 151 Junius Johnson warns that the pursuit of beauty is both perilous and an experience that points to the desire for God. (25 minutes) - “Emerging adulthood” —
FROM VOL. 100 Christian Smith discusses the aimless cultural world of emerging adulthood and on how it makes the idea of objective moral order implausible. (17 minutes) - University or “utiliversity”? — In this essay, Reinhard Hütter examines in depth John Henry Newman’s The Idea of a University and argues that its insights and prescriptions are urgently relevant to the current status of higher education. (87 minutes)
- Utopian dreams and cynicism — John Durham Peters discusses the history of the idea of communication, saying that our hopes are too high when we believe that the solution to social discord is just better communication. (49 minutes)
- Man as “both mystic and hobbit” — D. C. Schindler explores how building is a quintessential human activity and an expression of our view of the meaning of reality. (47 minutes)
- Teen consumers and influencers —
FROM VOL. 62 Alissa Quart explains how advertisers exploit the normal developmental characteristics of preteens and teens in order to sell them products. (12 minutes) - Teenage agency —
FROM VOL. 68 Murray Milner, Jr., explores how the current structure of schools and education leads almost inevitably to a culture of consumption among teenagers. (19 minutes) - Showing as meaning — Daniel McInerny on how the arts convey meaning
- Mars Hill Audio Journal, Volume 165 — FEATURED GUESTS: Jeffrey Bilbro, Daniel McInerny, Joseph Minich, Carl Elliott, Nadya Williams, and Don W. King
- Clips from five extended interviews — We are pleased to share clips from five interviews that we’ve recently produced as full-length Conversations. (30 minutes)
- Breaking out of the immanent frame — Norman Wirzba on the true character of Creation and of our creatureliness