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Ken Myers

Celebrating Christmas with Bach (through Epiphany)

Essays on musicBy Ken MyersJanuary 2, 2026
Ken Myers offers a detailed introduction to J. S. Bach’s Christmas Oratorio, a work composed to be sung on six occasions from Dec. 25th to Jan. 6th

Anticipation and festivity

Book excerptBy Ken MyersDecember 23, 2025
Tova Leigh-Choate on the earliest forms of musical celebration during Advent and Christmas

In tune with the muses of Zion

Essays on music, TranscriptBy Ken MyersDecember 23, 2025
Ken Myers on the Christmas music of Michael Praetorius

God also was a Cave-man

Book excerptBy Ken MyersDecember 23, 2025
G. K. Chesterton on the convergence of omnipotence and impotence in Bethlehem

Christmas music from Luther to Bach

Book excerptBy Ken MyersDecember 23, 2025
Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Creation, in harmony with the Logos

Book excerptBy Ken MyersNovember 15, 2025
Rowan Williams on the Logos and the diverse logoi that mirror it

How communities remember who they are

Book excerptBy Ken MyersNovember 6, 2025
Oliver O’Donovan on the necessity of tradition in sustaining communal identity

A beautiful human geometry

Book excerptBy Ken MyersSeptember 15, 2025
Musicologist Leopold Brauneiss compares Arvo Pärt’s compositional technique with Jungian archetypes

A bridge between yesterday and today

Book excerptBy Ken MyersSeptember 15, 2025
Composer Arvo Pärt describes how he came to appropriate the mysteries of polyphony

Singing in praise of silence

Book excerptBy Ken MyersSeptember 15, 2025
Orthodox theologian Peter Bouteneff on the unutterable source of all true utterances

From the heart of silence

Book excerptBy Ken MyersSeptember 15, 2025
Conductor Paul Hillier on the sources of Arvo Pärt’s distinctive musical expression

All trees, no forest

Book excerptBy Ken MyersSeptember 4, 2025
Richard Weaver on the attenuating of knowledge
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Since 1993 — with the help of hundreds of interviewees — we’ve been exploring the complex factors that have given modern Western culture its distinctive (and often disturbing) character. We also try to describe what cultural life — its practices, beliefs, and artifacts — might look like if it was the product of thoughtful Christian imaginations. We hope our growing treasury of conversations and commentary provides resources for faithfulness in an often perplexing moment.

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