Celebrating Christmas with Bach (through Epiphany) Essays on musicBy Ken MyersJanuary 2, 2026Ken Myers offers a detailed introduction to J. S. Bach’s Christmas Oratorio, a work composed to be sung on six occasions from Dec. 25th to Jan. 6th
Anticipation and festivity Book excerptBy Ken MyersDecember 23, 2025Tova Leigh-Choate on the earliest forms of musical celebration during Advent and Christmas
In tune with the muses of Zion Essays on music, TranscriptBy Ken MyersDecember 23, 2025Ken Myers on the Christmas music of Michael Praetorius
God also was a Cave-man Book excerptBy Ken MyersDecember 23, 2025G. K. Chesterton on the convergence of omnipotence and impotence in Bethlehem
Christmas music from Luther to Bach Book excerptBy Ken MyersDecember 23, 2025Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio
Creation, in harmony with the Logos Book excerptBy Ken MyersNovember 15, 2025Rowan Williams on the Logos and the diverse logoi that mirror it
How communities remember who they are Book excerptBy Ken MyersNovember 6, 2025Oliver O’Donovan on the necessity of tradition in sustaining communal identity
A beautiful human geometry Book excerptBy Ken MyersSeptember 15, 2025Musicologist Leopold Brauneiss compares Arvo Pärt’s compositional technique with Jungian archetypes
A bridge between yesterday and today Book excerptBy Ken MyersSeptember 15, 2025Composer Arvo Pärt describes how he came to appropriate the mysteries of polyphony
Singing in praise of silence Book excerptBy Ken MyersSeptember 15, 2025Orthodox theologian Peter Bouteneff on the unutterable source of all true utterances
From the heart of silence Book excerptBy Ken MyersSeptember 15, 2025Conductor Paul Hillier on the sources of Arvo Pärt’s distinctive musical expression
All trees, no forest Book excerptBy Ken MyersSeptember 4, 2025Richard Weaver on the attenuating of knowledge