In tune with the muses of Zion Essays on music, TranscriptBy Ken MyersDecember 23, 2025Ken Myers on the Christmas music of Michael Praetorius
God also was a Cave-man Book excerptBy Ken MyersDecember 23, 2025G. K. Chesterton on the convergence of omnipotence and impotence in Bethlehem
Christmas music from Luther to Bach Book excerptBy Ken MyersDecember 23, 2025Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio
How communities remember who they are Book excerptBy Ken MyersNovember 6, 2025Oliver O’Donovan on the necessity of tradition in sustaining communal identity
A beautiful human geometry Book excerptBy Ken MyersSeptember 15, 2025Musicologist Leopold Brauneiss compares Arvo Pärt’s compositional technique with Jungian archetypes
A bridge between yesterday and today Book excerptBy Ken MyersSeptember 15, 2025Composer Arvo Pärt describes how he came to appropriate the mysteries of polyphony
Singing in praise of silence Book excerptBy Ken MyersSeptember 15, 2025Orthodox theologian Peter Bouteneff on the unutterable source of all true utterances
From the heart of silence Book excerptBy Ken MyersSeptember 15, 2025Conductor Paul Hillier on the sources of Arvo Pärt’s distinctive musical expression
All trees, no forest Book excerptBy Ken MyersSeptember 4, 2025Richard Weaver on the attenuating of knowledge
Christian belief as real knowledge Book excerptBy Ken MyersSeptember 4, 2025Dallas Willard on the modern divorce between faith and knowledge
Harbinger of disorder Book excerptBy Ken MyersAugust 29, 2025Mark Mitchell on Michael Polanyi’s recognition of the dangerous dead-end of materialistic reductionism
The de(con)struction of the humanities (and of truth) Book excerptBy Ken MyersAugust 29, 2025Historian Gertrude Himmelfarb on the skeptical tendencies of the postmodern academy